grandegyptianmuseum:
“An Egyptian Limestone Eroticon. Ptolemaic Period, circa 1st century BC.
The nude male figure squatting on an integral rectangular plinth, his feet parallel with the toes delineated, holding his oversized phallus with both hands,...

grandegyptianmuseum:

An Egyptian Limestone Eroticon. Ptolemaic Period, circa 1st century BC.

The nude male figure squatting on an integral rectangular plinth, his feet parallel with the toes delineated, holding his oversized phallus with both hands, extending over his right shoulder, his face with almond-shaped eyes, a long straight nose and full lips, with prominent ears and a bald pate, remains of polychromy visible throughout. 4¾ in. (12 cm.) high. ex-Christie’s.

(Fonte: christies.com, via grandegyptianmuseum)

legendarytragedynacho:
“ Nina Hagen
En concert au stade olympique de Athènes Grèce en juillet 1985
En concierto en el Estadio Olímpico de Atenas Grecia en julio de 1985
In concert at the Athens Olympic Stadium Greece in July 1985
”

legendarytragedynacho:

Nina Hagen 

En concert au stade olympique de Athènes Grèce en juillet 1985

En concierto en el Estadio Olímpico de Atenas Grecia en julio de 1985

In concert at the Athens Olympic Stadium Greece in July 1985

(via ianurmasovivanovitch)

soundsof71:
“Iggy Pop, London 1972, by Mick Rock.
“I actually think there shouldn’t be any genders. That’s the way humans really are, but there have been elaborate codes adopted to weed out parts of behavior that don’t match whatever gender or social...

soundsof71:

Iggy Pop, London 1972, by Mick Rock. 

“I actually think there shouldn’t be any genders. That’s the way humans really are, but there have been elaborate codes adopted to weed out parts of behavior that don’t match whatever gender or social group you want to belong to. But no, I never wanted to look particularly macho. I wanted to look kind of smooth, slinky, and super forward.”

From an astounding 2012 interview in Vice, “The Flesh Machine”


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